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Married to the Masters
By Jan Gardner, June 22, 2008
Boston Globe
Paul Cezanne, Claude Monet, and Auguste Rodin were among a generation of French artists who turned away from traditional subjects such as the Bible and painted scenes from everyday life. In doing so, they immortalized their wives: the regal figure of Cezanne's wife, Hortense Fiquet, perched on a red armchair; a playful Camille Doncieux - Monet's wife - in a kimono, fan in hand; the troubled visage of Rodin's wife, Rose Beuret.
In a new book, "Hidden in the Shadow of the Master: The Model-Wives of Cezanne, Monet, & Rodin" (Yale University), art historian Ruth Butler reports that the women's lives were "difficult and lonely - more unhappy than not." Each woman met her husband-to-be on the streets of Paris when he asked her to model for him. Each bore him a son before marriage. Money was a struggle for all three couples early on, and the challenges of living with a striving genius never ended, according to Butler, professor emerita at UMass-Boston.
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